GLASS VAULT LENS LINE UP
Lets start with our 65 sensor options for camera systems such as Arri 265 and Fujifilm Eterna. All lenses feature a Cam Focus System, Upgraded Iris Blades, PL or LPL mount.

FOCAL LENGTHS
Petzvalite 20mm T2.1
Petzvalite 30mm T2.1
Petzvalite 40mm T2.1
Petzvalite 58mm T2.1
Petzvalite 80mm T2.1
Rate: $1000 Per Day (3 Day Week)
ABOUT THE PETZVALITE 65
Through optical extension, a full-range Petzval-style lens family coving 65mm film has been created. They feature BOKEH CONTROL with the gold ring strengths 1-7, providing you with more precise artistic expression.

FOCAL LENGTHS
14mm T2.9
Rate: $200 Per Day (3 Day Week)
ABOUT THE SUW 65 Series 14mm
The Illuvision Super Ultra Wide 65 Series 14mm T2.8 is a purpose-built medium-format cinema lens designed for large-sensor cameras using the LPL mount. It delivers an extremely wide field of view while remaining lightweight and well balanced for professional production use. Built with a precision cam-driven focus system, a smooth 13-blade circular iris, and a common 143 mm front diameter, it is engineered for consistent rigging and reliable operation on set. Its standout feature is an unusually close minimum focus distance of 6" from sensor for a lens this wide, allowing for dramatic, immersive perspectives that are rarely possible on medium-format systems.

FOCAL LENGTHS
37mm T1.1
50mm T1.1
65mm T1.1
Rate: $1000 Per Day (3 Day Week)
ABOUT THE WORLDS FIRST CANON DREAM LENS SET
The Illuvision Canon Dream Lens Set is a one-of-a-kind full-frame cinema lens set built around the legendary Canon Dream Lens, a rare optic originally produced only as a 50 mm f0.95. Illuvision expanded this historic design into a complete three-lens set — 37 mm, 50 mm, and 65 mm — all calibrated to T1.1, creating an ultra-fast full-frame system that has never existed before. Designed for modern cinema use, the set delivers extreme light-gathering capability and a uniquely cinematic rendering that cannot be found in any other lens line in the world.

FOCAL LENGTHS
18mm T1.6 *(K-35 18mm T1.5)
24mm T1.5 *(K-35 24mm T1.5)
35mm T1.5 *(K-35 35mm T1.3)
50mm T1.3 *(K-35 50mm T1.3)
70mm T1.3 *(No K-35 equivalent)
85mm T1.3 *(K-35 85mm T1.3)
*K-35 equivalents referenced for comparative purposes only.
Rate: $1000 Per Day (3 Day Week)
ABOUT THE CANON FD HIGH SPEED SET
The Illuvision Canon FD High Speed Set is a full-frame cinema lens set built from classic Canon FD optics and extensively re-engineered for modern cinema use. What makes this set special is that Illuvision created ultra-fast T-stops and focal lengths that never existed in the original FD lineup — including an ultra-fast 18 mm, a newly re-engineered high-speed 35 mm, and a 70 mm — while maintaining a look that closely matches the legendary Canon K-35 character.

FOCAL LENGTHS
19mm T4
28mm T3.6
35mm T2.9
50mm T1.9
85mm T2.9
100mm T3.6
135mm T4
Rate: $900 Per Day (3 Day Week)
ABOUT THE KOWA R FULL FRAME SET
The FF Kowa R Set is a rare spherical full-frame cinema lens set built from the legendary Kowa R optics — and they are the only full-frame Kowas ever brought to market in spherical form. Every other Kowa cinema lens, including the Prominars and classic 2× anamorphics, is limited to Super-35 coverage. This set stands completely alone. TLS rehoused only ten complete sets worldwide, making it an extremely scarce full-frame vintage cinema system that preserves Kowa’s distinctive rendering while offering true large-format coverage.

FOCAL LENGTHS
MIR-20M 20mm T3.6
MIR-10A 28mm T3.6
MIR-1B 37mm T2.9
Helios 44-2 58mm T2.1
Jupiter-9 85mm T2.1
Rate: $500 Per Day (3 Day Week)
ABOUT THE SOVIET FULL FRAME SET
The Soviet FF Set is a compact full-frame spherical cinema lens set built from legendary Soviet-era optics including MIR, Helios, and Jupiter designs. Known for their bold character, expressive contrast, and unmistakable vintage personality, these lenses have been rehoused into modern PL-mount cinema housings while remaining exceptionally small and lightweight — compact enough to work on systems like the Ronin 4D. This rare combination of full-frame coverage, vintage character, and compact form factor makes the Soviet FF set a uniquely versatile and highly distinctive cinema lens system.

FOCAL LENGTHS
50mm T1.6
Rate: $200 Per Day (3 Day Week)
ABOUT THE DS-PAINTING LENS
The Illuvision DS-Painting Lens is a full-frame cinema lens built from the rare Dallmeyer Septac 50mm, re-engineered and calibrated to T1.6 for modern production use. Originally designed as a projection and specialty optic, the Septac is known for its painterly falloff, swirling character, and impressionistic rendering that transforms highlights and edges into a dreamlike, almost hand-painted aesthetic. Illuvision has rehoused and tuned this historic optical design into a production-ready cinema lens, creating a true character specialty lens that delivers a look impossible to replicate with modern glass.

FOCAL LENGTHS
8mm Fisheye T2.9
Rate: $200 Per Day (3 Day Week)
ABOUT THE NIKKOR 8MM FISHEYE
The Nikkor 8mm Fisheye PL is a full-frame specialty cinema lens built from Nikon’s legendary 8mm fisheye optical design and rehoused into a professional PL-mount housing for modern cinema use. Known for its extreme angle of view and bold optical distortion, this lens delivers a dramatic, immersive perspective that bends straight lines and exaggerates depth in a way no rectilinear wide lens can replicate. Re-engineered for cinema operation with smooth focus and consistent mechanics, it offers filmmakers a powerful creative tool for stylized, energetic, and visually striking imagery.

FOCAL LENGTHS
55mm T1.8
80.5mm T2
Rate: $500 Per Day (3 Day Week)
ABOUT THE PETZVALS FF
The Petzval 55mm and 80.5mm Set is a full-frame specialty cinema lens pair based on the historic Petzval optical design, famous for its swirling falloff, curved field, and dramatic edge distortion. Each lens features a built-in bokeh control ring, allowing cinematographers to physically shape and tune the swirl, falloff, and edge character in-camera — a rare optical control that cannot be simulated digitally. Re-engineered into modern PL-mount cinema housings, these lenses deliver a truly interactive, painterly look that turns every frame into a living optical effect.

FOCAL LENGTHS
24mm T8
Rate: $100 Per Day (3 Day Week)
ABOUT THE LAOWA PROBE 2 DIRECT VIEW
The Laowa Probe 2 Direct View is a full-frame specialty macro cinema lens designed to capture perspectives that are impossible with traditional lenses. Featuring an ultra-long, slender probe-style barrel and a direct forward-facing view, it allows the camera to physically move into tight spaces, through small openings, and directly into miniature environments while maintaining close-focus macro detail. With built-in illumination and a fully waterproof front section, the Probe 2 creates dramatic, immersive visuals that place the viewer inside the scene in a way no standard macro lens can replicate.

FOCAL LENGTHS
35mm 1.5x Anamorphic
Rate: $75 Per Day (3 Day Week)
ABOUT THE BLAZAR REMUS 35MM S35 1.5X SQUEEZE ANAMORPHIC
The Blazar Remus S35 35mm 1.5× Anamorphic is a Super-35 anamorphic cinema lens designed to deliver classic widescreen character in a compact, production-friendly form. Featuring a 1.5× squeeze, it produces a cinematic widescreen aspect ratio while maintaining a manageable lens size and weight. Its neutral coating delivers clean, controlled flares and accurate color reproduction while still providing expressive oval bokeh and organic falloff — offering true anamorphic character in a lightweight, gimbal-friendly package.